Sallie Abigail Reynolds (
realmrsreynolds) wrote2014-11-04 12:39 pm
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Offworld shenanigans.
Sometimes, the bar at the end of the universe - of all universes - doesn't give you quite the selection as the myriad of worlds that you can have access to when you are that bar's Barman.
"Are you sure that this is gonna work, Mike?"
Sallie is standing in Mike's suite, staring at the wall in front of them both like it's about to open up and swallow her. Which, in this case --
"Of course it will. And it'd be an easier way to stay subtle than going out the main door, if subtle's what you're still going for."
"You know it is. Your ba's such an awful man to shop for. It'd be nice to get him a little surprise." Been living together. I like shopping for folk is all.
Mike smiles, and draws the door.
Sallie's not precisely sure if Mike sent her to his New York or not, but it's close enough to the one that Sallie has visited that she doesn't look wholly out of place. (She doesn't yell at the fare machines in the subway this time either.) There is a fair amount of time spent in Williams Sonoma, but she does finally admit to herself that that store is more about herself than for Splinter, so she leaves and ends up finding a couple shops in Rockefeller Plaza that could prove fruitful. She even applauds her own forethought at bringing a charmed shopping bag, so she doesn't have to struggle with a million packages walking around the city.
It's time to hit the subway again, not wanting to walk the dozen or so blocks to her next destination, when she notices two men walk into the Cole Haan shoe store before she makes it to the door to leave. She sees the outline of the guns in their waistbands before the security guard does.
Oh gorram.
"Are you sure that this is gonna work, Mike?"
Sallie is standing in Mike's suite, staring at the wall in front of them both like it's about to open up and swallow her. Which, in this case --
"Of course it will. And it'd be an easier way to stay subtle than going out the main door, if subtle's what you're still going for."
"You know it is. Your ba's such an awful man to shop for. It'd be nice to get him a little surprise." Been living together. I like shopping for folk is all.
Mike smiles, and draws the door.
Sallie's not precisely sure if Mike sent her to his New York or not, but it's close enough to the one that Sallie has visited that she doesn't look wholly out of place. (She doesn't yell at the fare machines in the subway this time either.) There is a fair amount of time spent in Williams Sonoma, but she does finally admit to herself that that store is more about herself than for Splinter, so she leaves and ends up finding a couple shops in Rockefeller Plaza that could prove fruitful. She even applauds her own forethought at bringing a charmed shopping bag, so she doesn't have to struggle with a million packages walking around the city.
It's time to hit the subway again, not wanting to walk the dozen or so blocks to her next destination, when she notices two men walk into the Cole Haan shoe store before she makes it to the door to leave. She sees the outline of the guns in their waistbands before the security guard does.
Oh gorram.
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That being said, sitting this still in one place was starting to make Sallie want to get up and do jumping jacks - anything to move, and especially move away from anyone with a weapon.
"I'm not dying today, Len."
Good? We don't want to either!
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No, he's going to need help. Someone far more comfortable with large numbers of people. His first reaction is to go and fetch Michaelangelo, but he knows that both he and Sallie cannot be out of Milliways at the same time.
But, there is another...
Quickly he fumbles for the chalk in his pocket, drawing another door on the brick wall of the alleyway. It's much quieter where he's headed next...
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"Go find out, Jace -- "
Lenny stays in the room, getting more and more panicked, while Jace disappears into the back room.
To a very short and intense burst of gunfire, and several heavy thumps.
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"Jace? Jace, man..." Lenny starts to pace. "C'mon man, Jace."
Silence from the back room ... until...
The door swings open and a very large, angry looking bald white man comes striding through. He's dressed as though he's just come from some sort of Renaissance festival, and behind him he drags the still form of Jace.
"This belong to you?" His voice is all Bronx, with a slight touch of BBC.
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Not that she has moved an inch from her position, but she knows that Raph has seen her by now.
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And he has. There's a tear on the sleeve of his shirt where a bullet had grazed his arm. Flesh wound, but it's enough to make him less cordial than he's already got a history of being.
"Lower it, or I'm gonna beat you to death wit' your friend here."
While Raph keeps all eyes trained on himself, Splinter sneaks from the backroom to as close as the shadows will allow him to get to Sallie.
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She doesn't like the risk they're taking.
She loves it anyway.
Sallie sticks her left hand out at her side.
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Smokebomb
Just in case Raph can't diffuse the situation his own way.
"I'm gonna give you until the count of three to drop the gun."
"Or what?" Lenny all but yells, the muzzle of the gun vibrating slightly as the man shakes.
"Or I'm gonna take it from you, and break your wrist while I do it."
"You're bluffing!"
"One."
"You. You stay right where you are."
"Two."
"I'm warning you."
Raph doesn't get to three, though in his defense he never really intended to. He moves far faster than a man his size should be able to. Jase drops to the floor with a sound not unlike an apple hitting a brick wall. Raph darts forward, one hand to block, the other reaches behind his back for the sai slung from his belt.
Lenny's wrist never stood a chance.
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Sallie just looks surprised. It's...she's never really seen any of them hurt someone. Not really. (Not physically, anyway.)
She actually turns to try and see Splinter now. How do we get out of this one?
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"this way," he says quietly, his voice beckoning Sallie into the shadow.
"I did try to warn you," Raph says evenly as he pins the man to the floor and begins an attempt to field strip the gun.
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At least ten officers, more, continue pouring in the front door.
Sallie's moving towards Splinter's voice, but Raph's in the center of everything. Sallie can't leave him --
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He looks up, makes eye-contact with the officer speaking, and then very slowly puts his hands up.
"Okay okay, let's just take it easy."
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It's probably not the best thing to leave in the world.
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"Do you know where it might be?"
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What Sallie doesn't know is that there's a window ajar in the office, leading to one of the pedestrian walkways.
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"Can handle himself, we need to move."
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The door to the manager's office is closed when they reach it. Sallie, in one of her wiser moves, lets Splinter stay in front of her the whole time.
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But...there's a lock on the outside. That's promising.
He reaches up one of his sleeves and retrieves a lock pick set, and quickly sets to work picking apart the tumblers.
Meanwhile in the back ground there's the low timber of Raph's voice trying to talk reason to the heavily armed men currently holding him at gun point. Then there's the higher pitched sounds of the police being taken by surprise. Perhaps a further gunshot or two.
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She's really trying not to get in the way, but she may be clutching at Splinter's shirt more than truly necessary.
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Alas.
A satisfying click comes from the door handle as the lock springs open. Splinter deftly pivots through the door, pulling Sallie along with him.
The next click is a little less subtle than the lock giving way.
It comes from the hammer on a handgun being cocked by the one remaining robber still left inside that had until now been unaccounted for.
"Don't scream," the man warns.
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"We just want to leave. That's all."
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